There is Nothing That is Not Touched : A Review of Made to Explode by Sandra Beasley and Divine Fire by David Woo
Every poet is so different—their language and their grammars so uniquely their own—that while there are usually threads connecting them to others, what attracts a reader to a particular poet’s book is a response as sui generis as the poet’s to the world.
Transcendence Beyond the Brutal
Rachel Neve-Midbar’s debut book of poetry, Salaam of Birds, is a fundamental reckoning between the intensity of life in Israel and the earthy beauty of the desert: water, sand, flowers, fruit. The poems within the collection speak to the transformation that comes from holding disparate elements that comprise a homeland like the Jewish state.
Reading Serhiy Zhadan: The Poetical is Personal is Political
Now, how many Russian novels in translation have you read this past year?
- Audre Lorde (“Notes from a Trip to Russia,” 1976)
The line above is the closing sentence of Audre Lorde’s “Notes from a Trip to Russia,” the opening essay in her renowned Sister Outsider. This essay was written during her two-week trip to Russia and Uzbekistan in 1976, before the dissolution of the USSR.
Method Acting: A Review of “Dad Jokes from Late in the Patriarchy”
It’s possible one could go their entire lives and experience a single death, only their own. The aftermath of unpredictable tragedy, there would be nothing to observe, nothing to predicate one’s visions and versions of death.
Immigrating into the Absurd: A Review of Tropicália by Ananda Lima
Tropicália is a book that doesn’t pull its punches or steer away from the absurd, pulling in readers from the first line, “She devoured tiny Americans that came out of vending machines.”
And Yet There Is Hope: A Review of Dialogues with Rising Tides by Kelli Russell Agodon
Dialogues with Rising Tides testifies to how we are inextricably intertwined in a web of ecological disaster, intergenerational trauma, and a persistent murmuring chorus of our own underlying fears and anxieties.
The Twoness of Truth: A Review of Ananda Lima’s Amblyopia
In Amblyopia, Ananda Lima interrogates the imprecision of sight, the movement from one language to another, the blurred space in between.
Destinations and Directions to Two Worlds
At first glance, the most noticeable thing about Y el verso cae al aula (And the verse falls into the classroom) is a picture of a crying toddler on the cover of the book, along with the subtitles that say this:
The Language of Women
I have in front of me two collections which should shake the foundations of what a person thinks they know about conception, child loss, and pregnancy—but also women’s history, women’s medicine, women’s narratives; what lore survives the dominancy of patriarchy